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Name: R. Steven Rainwater Homepage: http://www.ncc.com/humans/srainwater/ Notes: I build robots, talk about robots, write about robots, and photograph robots. In addition to being an editor of robots.net, I'm also a contributing editor to Servo Magazine and have contributed to Robot Magazine, The Robotics Practitioner Journal, and the Robot Explorer Newsletter. I've written robot articles for internal corporate publications. My ramblings about robots have been quoted in Forbes, USA Today, the New York Times, and other assorted non-technical publications. I've also done the occasional radio interview on the subject of robots. I've been consulted on robot documentary films and videos including the Nova series, a Discovery Network reality show, and, surprisingly, even a CSI: New York script. My robot photography has appeared in Servo Magazine, Robot Magazine, and the Italian robot magazine, I-Droid01. I've maintained the Usenet Robot Competition FAQ for over a decade. I'm a member of the Dallas Personal Robotics Group, one of the oldest robot special interest groups in the world. In the early 1990's I was the editor and publisher of the AI CD-ROM, an annual collection of software, papers, and documentation on Artificial Intelligence, Robotics, and other advanced machine technologies. Even further back, in the pre-Internet days, I used to maintain the Interocitor BBS, which was the largest AI and Robotics related BBS around back in the late 1980s and early 1990s. Life isn't all about robots, though. You can read more about my other interests in my blog or on my Advogato profile. If you want to get in touch, feel free to email me. Projects
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Robots and Found Objects I've been welding on Thursday nights for a while now, since I took a welding class several months ago. So far it's all been practice welds of random steel scraps. I've been thinking about trying my hand at something a bit more artistic. Sculpture from found objects has always interested me. Robots have always interested me. Why not combined all this into something like a robot sculpture from found objects? It's been done before by artists like Gordon Bennett and Clayton Bailey. The first challenge I'm facing is figuring out how one goes about finding these so-called found objects that artists are always talking about. In my case, I'm particularly interested in steel objects. Susan and I have been going to estate sales on the weekends and I've visited numerous thrift shops around town. It seems like the best source would be something like a wrecking yard. There are plenty of them around but very little info about them online. Apparently not all of them let you wander around with tools pulling interesting parts you find. Maybe there are some in the smaller towns surround the Dallas area. I'm surprise there aren't any web sites that review wrecking yards (at least that I've found yet). New Camera Well, I finally did it. I bought a new Canon 40D with a 17-55mm f2.8 zoom. I also picked up an EOS to FD adapter on eBay so I could get at least some use out of my existing FD lenses. This is the third Canon I've owned. My first was a Canon A1, my second was the T90, which I still have. I thought some other old-timers might be interested in a comparison of the Canon T90 film camera with the new Canon 40D digital, so I put a few photos and comments of the two bodies up on flickr. I should be uploading some photos taken with the new camera soon. Stay tuned to my flickr account if you're curious. My old FD equipment is destined for eBay soon, starting with my Canon FD 2X extender Type A. Work and Photography Wow, I've been so busy lately. Has it really been over two months since I posted any sort of an update here? Well, work has mostly been a blur of SQL, Perl DBI, and RETS. I've been shooting lots of photos in what little time off I could manage: there was the Deep Ellum Arts Festival in April, followed by a little art exhibit by local roller derby girls called Derby Does Art, then Scarborough Fair, and the Continental Gin art collective's open house. May was more of the same with 90% work and 10% hitting unusual local events to photograph people and things. I caught the Dallas Asian Festival and the Flesh and Bone Erotic Arts Show (warning, some photos not work safe - but I think flickr defaults to safe mode these days, so unless you're logged in and have safe mode off maybe ok?). We did manage to take a weekend off in May to go to the Houston Art Car Parade. We saw lots of crazy people and cars as always. We drove down to the Orange Show art structure but it was closed during the art car events, so we weren't able to go inside. Maybe we'll get to see it next time we visit Houston. Another interesting May event was the Great Texas B9 Build-Off where Lost-in-Space B9 builders and Star Wars R2-D2 builders from all over the US showed up for a day of robot construction. A lot of local robot builders including several DPRG members showed up as well. Some of the photos I took at this event will show up exclusively in the next issue of Robot Magazine, which should hit the stands in another month or so. All this photography has got me interested in finally upgrading from my Fuji sf6000d to a true digital SLR. I really miss using my old Canon T90 35mm film camera and I've slowly convinced myself I need to buy the Canon 40D. Canon is doing their part by offering significant instant rebates this month, so it may actually happen this time. A Few Fun Things It's way past time to catch up my readers on what we've been up to lately. Since my last post we went to the La Reunion winner announcement party for their Make Space for Art architecture contest. While there we heard a really cool music ensemble that called themselves the Escalator Maintenance Society. In addition to a cello and bass, they played an amplified mechanical typewriter and a child's toy piano. It was some fun, minimalist-sounding music. After the event, I ran into the manager of Club DaDa outside and she said the group would be playing there soon. We'll probably go hear them again if we can work it out. We also went to the Dallas House of Blues for the first time to hear They Might be Giants and Oppenheimer play. I'd previously been to the Las Vegas HoB and spent a lot of time in the Foundation Room there hanging out with bizarre local characters. We weren't lucky enough to know anyone with Foundation Room access here but still had a good time. It's an interesting place and a pretty good mid-sized music venue. We got the cheap tickets for the standing-only area near the stage but it turned out there are a couple of bars near the back and we managed to snag some bar stools there. It was further away from the stage but the view wasn't too bad. As is frequently the case, the audio was mixed so that the instruments were 10 times louder than the vocals so you couldn't make out any words. For some bands that's not a problem but TMbG's music is largely about the humor of the lyrics so it was a bit disappointing. Last weekend, I went to All-Con 2008. The Dallas Personal Robotics Group was invited to display and do some demos so I went along to take photos. This was the first science fiction convention I've been to in many years and it was a lot of fun. There were all sorts of robots to be seen. Aaron Douglas (Chief Tyrol of Battlestar Galactica) was one of the guests, and I suppose we can count his character as a robot too. There was a fun demo by the Assassination City roller derby girls, a local group that does flat-track roller derby. I was also surprised to see the Lollie Bombs there. The Lollie Bombs are a Deep Ellum burlesque troop and this was the first time I'd seen them. Also a lot of fun. I met lots of other interesting people and posted a flickr set of All-Con photos. I stayed out way too late and ended up coming down with a cold the following week, probably from some alien bug I caught at All-Con. This morning, Susan and I went to La Reunion's first annual tree carving and open house event. La Reunion is a new art collective in Dallas with 35 acres of land south of downtown. The land is near the La Reunion Fourierist utopian community that existed from 1855-1860 (thus the name they chose for their group). They plan to build an off-grid, green facility there at which artists can live and work. As part of the process of preparing the land, they need to remove dying and non-native trees. They chose to do it in a way that would be healthy for the ecosystem. The trees will be carved by artists in a way that causes them to decay slowly, turning into food and homes for a variety of life forms. There were also several representatives of the Texas Discovery Gardens on site to conduct tours of native flora. We wandered around on our own, exploring the site and taking a few photos along the way. steve certified others as follows:
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